Specifications
Old glass fabric staging to turn it back alvie according to an precise vision from the artist.
The Unplayed Notes Factory
Loris GREAUD – 57e Venice Biennale – Murano, Italy
The Venice Biennale, known as one of the most prestigious artistic event in Europe and in the world is, is an Italian foundation organizing various events such as modern art , dance, music, architecture and cinema exhibitions. The main places where it takes place are the Giardini, very large public gardens.
On the occasion of the 57th Venice Biennale, Loris Gréaud, french conceptual artist , sous le commissariat de Nicolas Bourriaud, under the curating of Nicolas Bourriaud, brings the Campollieto della Pescheria glass furnace, shut down for the last 60 years. The Unplayed Notes Factory therefore invites visitors to venture out to the island of Murano to discover the awakening of this factory which has been turned into a true “tableau vivant’’.
As partners of this art exhibition, we were applied for the complete technical turn-key realization. Which is composed by the glass roof lighting, 5.1 sound diffusion, special effects management and integration but with also the creation of a custom conveyor. The glass blower hooks on it his creation that, thanks to a drop system, sometimes fall on the ground to break. The atmosphere is surrealistic and magic happens.
A project supported by NOIRMONTARTPRODUCTION and the sponsorship of DOTATION EMERIGE with the help of SFX DESIGNER and FONDAZIONE BERENGO.
Loris Gréaud
Artist - The Unplayed Notes Factory
Loris Gréaud is a conceptual installation artist, as well as a filmmaker and architect. His method is characterized by prioritizing the project’s idea over the exhibition. Loris Greaud believes that only the idea and the project itself should be the governing principles, defining in particular the conditions of appearance, display, distribution, and even the length of time and cost. One of the common characteristics among the various projects of Loris Greaud is their scale. By producing work of this magnitude with a global vision, he aims to overwhelm the space and time of the exhibition.
THE UNPLAYED NOTES FACTORY – VENICE / MURANO – ITALY
MAY 2017 – NOVEMBER 2017 LORIS GREAUD under the curating of Nicolas Bourriaud www.theunplayednotesfactory.com/
The realization in numbers
7
months of exhibitions
1000
pieces of glass art
13
deployed special effects machines
1
complete audio/light/sfx post synchronization
Our expertise
Effects conception
Custom conveyor creation with a drop system for the glasses. Blending in the set of sounds, lights, wind, smell, smoke, flame and hazer effects.
Implementation plan
Technical visit and creation of an implementation into existing structures. Plans creation for wiring and mounting.
Turn-key installation
Equipment delivery and installation directly on site. Disassembly at the end.
Launch - Programing
Complete post synchronization of sound effects, lighting roof with the 1000 glass pieces and special effects.
Deployed Machines
UE FIREJET TRIO 5 EVO 2
- Fire jets at 5m high
- Stick, ball or torch shaped flames
- Certified for an indoor use
- Ethernet or DMX monitoring and control
AROMA FRAGBOX MEDIUM
- Instantaneous olfactory atmospheres creation.
- Completely safe for humans and the environment.
- No persistant deposite after use
- Link it with a ventilation system
UE ENTERTAINMENT 450
- Efficient wind up to 12m
- Silent and very compact
- Complete adjustments from 0 to 100%
- DMX Control
HAZER MACHINE
VOLCANO SMOKE MACHINE
SOUND AND EFFECTS ATMOSPHERE CONTROLLER
They talk about it…
57e BIENNALE DE VENISE – LORIS GREAUD : THE UNPLAYED NOTES FACTORY – Commissariat : Nicolas Bourriaud – À Venise (Murano)- 13 mai – 26 novembre 2017. En 1201, le Sénat de Ve…
From Fondazione Berengo, Loris Gréaud, The Unplayed Notes Factory (2017), Light bulbs, metal, glass from 30 to 60 cm diameter each piece
Global arts club The Cultivist’s top Venice Biennale picks will bring the city’s rich architecture to life.
Production line of glass blowers will help create more than 1,000 unique works
Viva Arte Viva ! Rien ne pouvait être plus plaisant comme titre. Plus qu’une promesse, une … Continuer la lecture de « Biennale de Venise : le nouvel Olympe »
